The Angel of the Workhouse: The Body, and the Body Politic, of Victorian Women with Disabilities

Who is Dead?

A woman lies restrained in bed, apparently asleep.

Golden Girls, Chronic Fatigue Syndrome, and the Legacies of Hysteria

An ornate gazabo sits beside a smooth pond surrounded by short cut grass and tall trees.

Between War and Water: Saratoga Springs and Veteran Health after the First World War

Whose Milk? Changing US Attitudes toward Maternal Breastfeeding

Six women in full-length operating gowns standing side by side behind a table with a partially dissected cadaver on it. A stool in the foreground has an open book on it and a human skeleton stands in the background.

When Legs and Arms Won: The Culture of Dissection and the Role of the Camera at the Woman’s Medical College of Pennsylvania

Land-Grant Eugenics: Spreading an Idea in Rural America

“What Must That Sound Like?”: The Trauma of Family Separation

A Kick for a Bite; Or, Review Upon Review Upon Ten Babies on the Floor

Illustration shows Uncle Sam as the "Pied Piper" playing a pipe labeled "Lax Immigration Laws" and leading a horde of rats labeled "Jail Bird, Murderer, Thief, Criminal, Crook, Kidnapper, Incendiary, Assassin, Convict, Bandit, Fire Brand, White Slaver, [and] Degenerate", and some carry signs that read "Black Hand" showing a black handprint. In the background, rulers from "France, Russia, Germany, Italy, Hungary/Austria, Turkey, [and] Greece", along with citizens of these countries, are cheering the fleeing rats.

From Mooktie to Juan: The Eugenic Origins of the “Defective Immigrant”