A year ago June, the United States Supreme Court published its decision in the case of United States v. Windsor, […]

A year ago June, the United States Supreme Court published its decision in the case of United States v. Windsor, […]
This semester, I taught an introductory-level course on historical methods. One of our tasks was to consider an array of historical materials. We read novels and memoirs; watched documentaries and Hollywood films; read speeches and government policies; looked at architectural plans and advertisements for suburban homes. We even watched an episode of Star Trek. Throughout this exploration, a theme we kept coming back to was how people of the past documented their daily lives. This prompted us to consider how historians of the future will examine our daily lives. What sources will they use? What sources are we leaving behind?
By Heather Munro Prescott
Last year I reported on the gender gap in Wikipedia and efforts by women’s historians and others to remedy it. To recap: Several years ago, the Wikimedia Foundation, the organization that runs Wikipedia, collaborated on a study of Wikipedia’s contributor base and found that less than 15 percent of its hundreds of thousands of contributors are women. These sobering statistics gained widespread publicity in a January 2011 New York Times article by Noam Cohen and an ensuing flurry of media coverage in various venues, including Mother Jones, the Atlantic, and NPR. Blogger Tenured Radical (aka Claire Potter) reported on gender bias in Wikipedia in an article titled “Prikipedia? Or, Looking for the Women on Wikipedia.”
By Helen McBride
A new play opened in Dublin this week called Eirebrushed. Written by Brian Merriman, the play tells the story of Elizabeth O’Farrell, whose role as combatant has been quite literally airbrushed out of Irish history and the 1916 Easter Rising. The Easter Rising of 1916 was a significant rebellion against British colonization and, while it ultimately failed, it sparked a series of events that eventually lead to the independence of Ireland (first as the Irish Free State, a dominion of the British Commonwealth, in 1922, and then as the independent Republic of Ireland in 1948). Elizabeth O’Farrell, a midwife and member of Cumann na mBan (the League of Women), has been described as a “fierce Republican” and played a significant role in the rebellion of 1916. O’Farrell actively fought for the independence of Ireland from British colonization before and during the Easter Rising, delivering bulletins and instructions to the rebel outposts around Dublin. As Eirebrushed brings to our attention, her legacy, and those of other women active in the movement, has been diminished in the commemoration of the Easter Rising and its role in sparking the Irish Civil War.
I probably don’t need to tell you that the 2014 Winter Olympics captured the attention of millions of people in the […]
By Sean Cosgrove
I like Valentine’s Day. Its initials give me pause for thought sometimes — perhaps they are so appropriate as to be off-putting (‘V.D.’ anyone?) — but overall it strikes me as a formalized excuse to show the people you care about that you love them. Last year, I even wrote up a little piece urging us to broaden our definitions of relationships to include the bromance in the Valentine’s festivities! So, when I say that I want your Valentine’s Day plans to be a success, I really do mean it.
Political hip hop songs tend to focus on the typical manifestations of state violence, structural racism, and corporate capitalism—police brutality, […]
By Carrie Adkins
Can we all just finally agree that the ratings system currently used by the Motion Picture Association of America is misguided, outdated, and increasingly irrelevant?
I realize I am not saying anything particularly original or revolutionary here, as people are basically complaining about the MPAA everywhere and all the time now. These complaints vary, but most of them fall into two major categories. First, there’s the inconsistency issue: the ratings sytem seems to be applied subjectively and arbitrarily. So, for example, using the word “fuck” more than once is supposed to result in an R rating, except sometimes, as with The Social Network, it inexplicably doesn’t. Meanwhile, the sexually explicit The Wolf of Wall Street avoids the NC-17 rating for no perceptible reason aside from being directed by Martin Scorsese, while less explicit (but sadly Scorsese-less) films either have to cut material for an R or else accept the NC-17, knowing that the NC-17 typically results in much lower profits. This situation was discussed perceptively by director Jill Soloway, who was forced to make a number of cuts to Afternoon Delight in order to avoid an NC-17.
Winter has declared war on most of the Midwest. The Polar Vortex directly and indirectly wreaked havoc on most U.S. citizens last week. Grocery stores ran short on staples! Schools canceled school! Travelers found themselves stranded! Cars did not start!
And my zipper on my down coat broke!
By Heather Munro Prescott
Every year the New York Times magazine publishes a special issue “The Lives They Lived” honoring the lives of prominent persons who died in the past year. This year’s list included a number of notable women, including Abigail van Buren (aka Dear Abby), Esther Williams, and Maria Tallchief. This inspired me to create my own list of female role models who died in 2013 and whose life and work influenced my own.
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