In Between Cultural Appropriation, Racism, and Sexism: Azealia Banks and the Erasure of Black Women in Rap

By Austin McCoy

Rap artist Azealia Banks, who released her debut album, Broke with Expensive Taste, in November, made the news with her appearance on Hot 97’s radio show, Ebro in the Morning, in December. In her 47 minute interview, Banks railed against white Australian-born pop singer-turned rap artist, Iggy Azalea, Azalea’s boss, rapper, T.I., and against capitalism, slavery, and the appropriation of black culture. Azalea released her debut album, The New Classic in April, which shot up to #1 on Billboard’s R&B/Hip Hop Album and Rap charts. Her song “Fancy” dominated the airwaves. The positive reception even led Forbes to initially declare that Azalea “ran” rap.[1] This declaration, which Forbes eventually dialed back, underscored Banks’s critique about appropriation and black women’s exclusion and erasure in the corporate rap industry. Banks declared, “At the very fucking least, you owe me the right to my fucking identity. And not to exploit that shit. That’s all we’re holding onto with hip-hop and rap.”

Desertion, Martial Manhood, and Mental Illness: The Case of Sgt. Bergdahl

By Sarah Handley Cousins

Several months ago, when I submitted my first blog post for Nursing Clio, I included a short section about Civil War veterans who had lost their right to a pension because they had deserted the army during the war. But after discussing it with our editors, I decided to remove the section – after all, we thought, desertion isn’t really a current issue, right? I was more than a little surprised when, a few months later, the topic of military desertion became headline news.

Marvel’s Fleeting Feminism

by Tony Lewis

The recent announcement of a new creative team for the comic book series Wonder Woman has stirred up some controversy, stemming mainly from an interview in which the artist, David Finch, proved wary of the term “feminist.” His hesitance clearly alarmed people who value the character’s status as an icon of feminism, especially as it came on the heels of Stevie St. John’s article in the Summer 2014 issue of Bitch Magazine that explained how the series’ current creators have undermined the feminist aspects of Wonder Woman’s mythology. What has received less attention is the fact that DC Comics has handed its 75-year-old franchise to Finch’s wife, Meredith, a writer who has very little experience working in comics. But, as we shall see, this situation has a historical precedent.

A History of Neglect

By Adam Turner

Since as far back as the American Revolution, politicians and the public have welcomed soldiers home from war with promises of cutting edge medical knowledge, comprehensive rehabilitation, and ongoing care as compensation for their service. Just as often, though, these promises have gone unfulfilled in the face of their enormous expense. The history of the veteran’s health system thus has been one of best intentions and poor funding.