Over the last several years, placentophagy has slowly crept into that vicious public media arena known as “the Mommy Wars.” […]
Exploding Myths About Medicine’s Wage Gap: Lessons From the Past and Present
It’s not news that women are paid less than men for comparable work, subject to variation across race, field of […]
How Dusty are Your Baseboards?: The Politics of Domestic Labor
Recently I attended a bridal shower that provided a rare occasion for chatting with girlfriends sans partners and kids. Upon […]
She probably doesn’t want my Progressive feminist sympathy, but I’m giving it to her anyway: Thoughts on the Republican Debate, Donald Trump, and Fox’s Megyn Kelly
Was it just me, or was Thursday night’s Republican debate deeply, deeply weird? The entire event seemed farcical, as though […]
Vagina Dialogues
By Elizabeth Reis
Students at Mt. Holyoke College are protesting the annual performance of Eve Ensler’s feminist classic, The Vagina Monologues. Their gripe with the play is that by focusing on vaginas, the play perpetuates “vagina essentialism,” suggesting that ALL women have vaginas and that ALL people with vaginas are women. Transgender and intersex people have taught us that this seemingly simple “truth” is actually not true. There are women who have penises and there are men who have vaginas. Not to mention women born without vaginas! Hence, these Mt. Holyoke critics imply, the play contributes to the erasure of difference by presenting a “narrow perspective on what it means to be a woman,” and shouldn’t be produced on college campuses.
In Between Cultural Appropriation, Racism, and Sexism: Azealia Banks and the Erasure of Black Women in Rap
By Austin McCoy
Rap artist Azealia Banks, who released her debut album, Broke with Expensive Taste, in November, made the news with her appearance on Hot 97’s radio show, Ebro in the Morning, in December. In her 47 minute interview, Banks railed against white Australian-born pop singer-turned rap artist, Iggy Azalea, Azalea’s boss, rapper, T.I., and against capitalism, slavery, and the appropriation of black culture. Azalea released her debut album, The New Classic in April, which shot up to #1 on Billboard’s R&B/Hip Hop Album and Rap charts. Her song “Fancy” dominated the airwaves. The positive reception even led Forbes to initially declare that Azalea “ran” rap.[1] This declaration, which Forbes eventually dialed back, underscored Banks’s critique about appropriation and black women’s exclusion and erasure in the corporate rap industry. Banks declared, “At the very fucking least, you owe me the right to my fucking identity. And not to exploit that shit. That’s all we’re holding onto with hip-hop and rap.”
Female Circumcision, Clitoridectomy, and American Culture
In the United States, female circumcision (the removal of the clitoral hood) and clitoridectomy (the removal of the external nub […]
Clio Talks: with Astrid Henry
Today we have something a bit different: an interview with Professor Astrid Henry by Nursing Clio blogger Carolyn Herbst Lewis. Astrid is the Louise R. Noun Professor of Gender, Women’s, and Sexuality Studies at Grinnell College. She recently co-authored Feminism Unfinished: A Short, Surprising History of American Women’s Movements (W.W. Norton & Company, 2014) with Dorothy Sue Cobble and Linda Gordon, which Carrie Pitzulo reviewed for us earlier this week. Astrid also is the author of Not My Mother’s Sister: Generational Conflict and Third-Wave Feminism (Indiana University Press, 2004), and her work has appeared in various journals and anthologies. She received her Ph.D. from the Interdisciplinary Modern Studies Concentration of the University of Wisconsin-Milwaukee’s English Department and has been a member of the Governing Council of the National Women’s Studies Association.
Clio Reads: A Review of Feminism Unfinished
In Feminism Unfinished: A Short, Surprising History of American Women’s Movements, historians Dorothy Sue Cobble, Linda Gordon, and Astrid Henry […]
Yes Virginia, Feminism Left Christmas Alone
By Cheryl Lemus
As I write this blog post, I am recovering from an intense Thanksgiving weekend. Over the course of four days, I cooked, attended a Doctor Who convention, put up the rest of our Christmas decorations, and shopped. I am not ashamed to admit that as of 11:59 p.m. on Halloween, I hit the Christmas station on Pandora. Although I usually wait until Thanksgiving to decorate the tree, I actually put it up a week early this year. And this was not the first time I was in a store very early on Thanksgiving because there was a deal that I could not pass up. I am a liberal feminist, and yes, I am one of those people who loves most everything about the holiday. I cook, I shop, I share past traditions, and damn it, my tree looks awesome. This feminist loves Christmas. Kirk Cameron would be proud.
