In the face of the COVID-19 global pandemic crisis, policymakers were forced to answer hard-hitting ethical questions: how would resources […]
Abortion Care As Moral Work: Ethical Considerations of Maternal and Fetal Bodies, An Interview with Johanna Schoen
The timely anthology from Rutgers University Press, Abortion Care As Moral Work: Ethical Considerations of Maternal and Fetal Bodies, edited […]
Maternity at War: Introduction
Our latest series at Nursing Clio, “Maternity at War,” takes perhaps obvious inspiration from the Russian invasion of Ukraine. Coverage […]
Teaching about the Russian Invasion of Ukraine in US History Classrooms
Teachers are undoubtedly scrambling to address the Russian-Ukrainian war in their classrooms, and many probably feel underprepared to talk about […]
What to Read in a Pandemic
Nursing Clio editors and writers share their favorite books on disease, social anxiety, and resilience to help you get through […]
Marvel’s Fleeting Feminism
by Tony Lewis
The recent announcement of a new creative team for the comic book series Wonder Woman has stirred up some controversy, stemming mainly from an interview in which the artist, David Finch, proved wary of the term “feminist.” His hesitance clearly alarmed people who value the character’s status as an icon of feminism, especially as it came on the heels of Stevie St. John’s article in the Summer 2014 issue of Bitch Magazine that explained how the series’ current creators have undermined the feminist aspects of Wonder Woman’s mythology. What has received less attention is the fact that DC Comics has handed its 75-year-old franchise to Finch’s wife, Meredith, a writer who has very little experience working in comics. But, as we shall see, this situation has a historical precedent.
How Much to Touch You?
By Cheryl Lemus
This past May, I paid someone to let me touch them and take pictures with them while my family watched. Now before you freak out, I should clarify that my family and I traveled to the Motor City Comic Con in mid-May. I’ll be honest; I am a late comer to the comic convention world. It’s a subculture that I am only beginning to understand. While I’m there, I feel like I am looking through glass, observing the behaviors, expectations, and ideals that hang in the air as fans, writers, retailers, and celebrities converge in a generic space converted into a place of worship, commerce, and fun. As a historian and feminist, I find myself asking questions and thinking about how comic conventions sit in a larger historical context of sex, gender, class, race, and culture. Yet, at the same time, the fan in me screams, “Screw that, I’m about to take a picture with Matt Smith and Karen Gillan!” My scholarly training and fan excitement have blended into a persona that has accepted that I will geek over the site of the 11th Doctor, but even so, I cannot help wonder why I am handing over my credit card to have a few brief moments with a designated VIP, or better yet, what am I expecting in this transaction?
Sunday Morning Medicine
By Jacqueline Antonovich
-How Londoners died in 1665.
-The life of a 1970s housewife.
-“Oh God for one more breath.”
-Eight songs about your period.
-Why is hemp illegal? A short history.
-The Minnesota starvation experiment.
We Need a Robin Hood Tax for Welfare Relief
By Austin C. McCoy
I wish I found the idea of cutting $39 billion from the federal government’s food stamp program (Supplemental Nutritional Assistance Program, or SNAP) during a recession unbelievable. But, as usual, House Republicans continue to thwart all belief and reason. Some Republicans like Paul Ryan (R-WI) are concerned about the program’s sustainability. They worry that the size of the program will not shrink fast enough over the next four years. However, as Travis Waldron of Think Progress notes, SNAP is based upon income and not employment, therefore explaining the program’s projected marginal decrease.
Slane Girl, In Solidarity
By Helen McBride
Last Saturday at an Eminem concert at Slane Castle, outside Dublin, Ireland, a 17-year-old woman was photographed performing oral sex on two males. Unsurprisingly, these photos went viral on Twitter, Facebook, and Instagram. I’ve been hopeful of Twitter and Facebook recently. In particular the discussion surrounding the #solidarityisforwhitewomen trend inspired a lot of thought about what gender and feminism mean in 2013 and has served as a much needed reminder for white feminists like myself to check our own privilege. That spirit of hope has taken a hit with the Slane Girl Story. Within two days of the Eminem concert, Twitter exploded into a slut-shaming bonanza. The hashtags #slanegirl and #slaneslut trends have taken on the appearance of a free-for-all, cruel, glee-filled, slut-shaming stampede.
