Chain link fence and barbed wire against a cloudy sky.

Incarcerated and Infected: The Fragility of Our State Prison System During the COVID-19 Pandemic

Abortion Care As Moral Work: Ethical Considerations of Maternal and Fetal Bodies, An Interview with Johanna Schoen

A pregnant woman stands in profile in front of a bombed out building.

Maternity at War: Introduction

A crowd of people, some holding signs that say STOP ABORTION BANS

A Return to the Abortion Handbook?

A brick building has sustained extensive danger, half bombed-out

Teaching about the Russian Invasion of Ukraine in US History Classrooms

What to Read in a Pandemic

Marvel’s Fleeting Feminism

by Tony Lewis

The recent announcement of a new creative team for the comic book series Wonder Woman has stirred up some controversy, stemming mainly from an interview in which the artist, David Finch, proved wary of the term “feminist.” His hesitance clearly alarmed people who value the character’s status as an icon of feminism, especially as it came on the heels of Stevie St. John’s article in the Summer 2014 issue of Bitch Magazine that explained how the series’ current creators have undermined the feminist aspects of Wonder Woman’s mythology. What has received less attention is the fact that DC Comics has handed its 75-year-old franchise to Finch’s wife, Meredith, a writer who has very little experience working in comics. But, as we shall see, this situation has a historical precedent.

a picture of comic con, lines of booths and visitors

How Much to Touch You?

By Cheryl Lemus

This past May, I paid someone to let me touch them and take pictures with them while my family watched. Now before you freak out, I should clarify that my family and I traveled to the Motor City Comic Con in mid-May. I’ll be honest; I am a late comer to the comic convention world. It’s a subculture that I am only beginning to understand. While I’m there, I feel like I am looking through glass, observing the behaviors, expectations, and ideals that hang in the air as fans, writers, retailers, and celebrities converge in a generic space converted into a place of worship, commerce, and fun. As a historian and feminist, I find myself asking questions and thinking about how comic conventions sit in a larger historical context of sex, gender, class, race, and culture. Yet, at the same time, the fan in me screams, “Screw that, I’m about to take a picture with Matt Smith and Karen Gillan!” My scholarly training and fan excitement have blended into a persona that has accepted that I will geek over the site of the 11th Doctor, but even so, I cannot help wonder why I am handing over my credit card to have a few brief moments with a designated VIP, or better yet, what am I expecting in this transaction?

Sunday Morning Medicine

We Need a Robin Hood Tax for Welfare Relief

By Austin C. McCoy

I wish I found the idea of cutting $39 billion from the federal government’s food stamp program (Supplemental Nutritional Assistance Program, or SNAP) during a recession unbelievable. But, as usual, House Republicans continue to thwart all belief and reason. Some Republicans like Paul Ryan (R-WI) are concerned about the program’s sustainability. They worry that the size of the program will not shrink fast enough over the next four years. However, as Travis Waldron of Think Progress notes, SNAP is based upon income and not employment, therefore explaining the program’s projected marginal decrease.