In August 1994, ABC aired the pilot episode of My So-Called Life, and for the first time I felt that […]
Medical Metaphors: The Long History of the Corrupted Body Politic
For the past few years, my Facebook feed has been full of political memes. Quite a few critique or satirize […]
The Cultural Logic of Calories and Body Types
We were promised calorie labels. New York City has required them in chain restaurants since 2008 and California since 2009, […]
Real Men & Real Food: The Cultural Politics of Male Weight Loss
When Weight Watchers first launched an online program “customized just for guys” in 2007, one of their advertisements proclaimed, “Real […]
The Problem with Fat-Talk at the Pediatrician’s Office
“His BMI is on the high side of normal. See?” The pediatrician showed me a chart. “This is something we […]
Feminist Bodies, Feminist Selves
I have never known a person who was 100% content with everything about their body, 100% of the time. The […]
Vagina Dialogues
By Elizabeth Reis
Students at Mt. Holyoke College are protesting the annual performance of Eve Ensler’s feminist classic, The Vagina Monologues. Their gripe with the play is that by focusing on vaginas, the play perpetuates “vagina essentialism,” suggesting that ALL women have vaginas and that ALL people with vaginas are women. Transgender and intersex people have taught us that this seemingly simple “truth” is actually not true. There are women who have penises and there are men who have vaginas. Not to mention women born without vaginas! Hence, these Mt. Holyoke critics imply, the play contributes to the erasure of difference by presenting a “narrow perspective on what it means to be a woman,” and shouldn’t be produced on college campuses.
In Between Cultural Appropriation, Racism, and Sexism: Azealia Banks and the Erasure of Black Women in Rap
By Austin McCoy
Rap artist Azealia Banks, who released her debut album, Broke with Expensive Taste, in November, made the news with her appearance on Hot 97’s radio show, Ebro in the Morning, in December. In her 47 minute interview, Banks railed against white Australian-born pop singer-turned rap artist, Iggy Azalea, Azalea’s boss, rapper, T.I., and against capitalism, slavery, and the appropriation of black culture. Azalea released her debut album, The New Classic in April, which shot up to #1 on Billboard’s R&B/Hip Hop Album and Rap charts. Her song “Fancy” dominated the airwaves. The positive reception even led Forbes to initially declare that Azalea “ran” rap.[1] This declaration, which Forbes eventually dialed back, underscored Banks’s critique about appropriation and black women’s exclusion and erasure in the corporate rap industry. Banks declared, “At the very fucking least, you owe me the right to my fucking identity. And not to exploit that shit. That’s all we’re holding onto with hip-hop and rap.”
The Skinny on Back to School
Well, it’s that time of year again! The temperatures are dropping, the days are shortening, the leaves are beginning to […]
Sunday Morning Medicine
By Jacqueline Antonovich
-Hunky history: the male nude.
-The man who forgot everything.
-The Victorian version of the GIF.
-Baseball’s forgotten experiment.
-Ancient grills: gem-studded teeth.
-Campy photos of Communist spies.
