How to Start a Feminist Restaurant: A Chat with Alexandra Ketchum

Demanding to Be Heard: African American Women’s Voices from Slave Narratives to #MeToo

“Now I try to live my feminist politics in bed as well as elsewhere”

Why It’s Bad When It’s “Not That Bad”

The Stain of Slavery is Silencing Sexual Violence Against Black and Brown Women

A large empty lecture hall with tiers of seats.

It’s Not You, It’s Me: #MeToo in Academia

A quiet winter morning in the woods. Sun shining through the trees.

Understanding My Past after #MeToo

A group of people marching on the street, holding slogans of anti-rape culture

This is the Culture of Sexual Violence

There are two family pictures in a box of photographs that are the only few I have of my father and me. My mother always told me my father doted on me and I was definitely becoming “daddy’s little girl.” Yet, the images of a seemingly happy family are overshadowed by the knowledge that at the time these two pictures were taken, my father had or was raping his stepdaughter: my teenage sister.

Slane Girl, In Solidarity

By Helen McBride

Last Saturday at an Eminem concert at Slane Castle, outside Dublin, Ireland, a 17-year-old woman was photographed performing oral sex on two males. Unsurprisingly, these photos went viral on Twitter, Facebook, and Instagram. I’ve been hopeful of Twitter and Facebook recently. In particular the discussion surrounding the #solidarityisforwhitewomen trend inspired a lot of thought about what gender and feminism mean in 2013 and has served as a much needed reminder for white feminists like myself to check our own privilege. That spirit of hope has taken a hit with the Slane Girl Story. Within two days of the Eminem concert, Twitter exploded into a slut-shaming bonanza. The hashtags #slanegirl and #slaneslut trends have taken on the appearance of a free-for-all, cruel, glee-filled, slut-shaming stampede.