I’ve been a little hesitant to write a blog about some of my experiences in a psychiatric hospital in 1980s Britain for a number of reasons. I am aware that those who suffer mental illnesses are some of the most vulnerable members of society. This was definitely true in the mid-1980s in Britain. I write this with the utmost respect for the patients I came into contact with and the nursing staff charged with their care.
Thirty years ago I went to the Berkeley Women’s Health Collective to get fitted for a cervical cap. “What is […]
If you’ve been following Nursing Clio this past week you know by now that we’re celebrating our one-year anniversary. As […]
In 2009, the historian Jill Lepore told an interviewer that “as an obsessive reader of newspapers and watcher of news,” she was struck by “how impoverished our historical perspective is on most contemporary problems.” She was absolutely right. In 2012, as we, the co-founders of Nursing Clio, began to conceptualize our project, the news was making me want to lose my mind. Every day, I watched as Republicans proposed – and sometimes passed – new bills that limited access to safe and affordable abortion. And, to my horror, they didn’t stop there but instead started attacking contraception as well. Lawmakers worked to eliminate insurance coverage for birth control; Rush Limbaugh called Sandra Fluke a “slut” because she opposed those measures; and the presidential candidate Rick Santorum went so far as to state that contraception itself was “not okay.” Watching these developments, I went from bemused to angry to downright scared. We were supposed to be living in the twenty-first century! What on earth was happening here?
I am not accustomed to writing autobiographically, but Jacqueline asked us to reflect on our experiences blogging for Nursing Clio. First, I want to express how much I have enjoyed contributing my voice to the outstanding chorus that Jacqueline and the rest of Nursing Clio’s editors orchestrate on a daily basis. I am grateful that Jacqueline asked me to write for the blog because I appreciate the value of producing what we in The Ohio State University’s African American and African Studies Department called “relevant scholarship”—intellectual content aiding people of color and progressives in their political struggles. I thought I would write of my writing experiences generally so I can illustrate how writing for Nursing Clio fulfills a responsibility to act as an activist-minded public scholar.
If you’ve ever thought of yourself as a passive consumer of Nursing Clio I’m here to tell you (in the nicest possible way) that you’re wrong. You’re as much an active producer of material as we are. Sure, I do a little more writing for the site than the average reader, but by and large, you drive the content, engage in the discussion, and compel me to improve myself as a scholar. Without your input not only would Nursing Clio be in some strife, but the very reasons why I’ve joined, and why I persist in inflicting my opinions upon you, begin to disappear.
Join me in as I say thanks to readers, on behalf of myself and Nursing Clio more generally, for getting us to our first birthday!
I can’t believe that one year ago this week, our little collaborative blog project went live. Has it really been that long? It seems like just yesterday Cheryl, Ashley, Carrie, Meggan, Adam, Carolyn and I were debating what to call this blog- Mons Pubis? Pubis Medicus? Nurse Clio? Thank God cooler heads prevailed and we went with Meggan’s suggestion of Nursing Clio (For an explanation of the name see here). As the creator, co-founder, and executive editor of this whole endeavor, I have to tell you, this has been an intensely fantastic, insane, scary, and rewarding first year. I have met some wonderful scholars, engaged in some lively debates, and formed what I hope will be life-long friendships. In every way, the blog has exceeded my expectations and I hope we continue to bring you important, relevant, and fun conversations throughout this next year.
One of the recurring themes in my “Women and Gender in Art History” class this semester has been the historical association of women with the domestic sphere. In the nineteenth century, we looked at examples of European art that addressed this clear cultural separation of spheres, where public = masculine and private = feminine. Of course, this cultural association of women with domesticity persisted throughout much of the twentieth century (think June Cleaver) and was cleverly marketed to women through seemingly endless inventions of domestic appliances and ever-better cleaning products.
By the 1970s, American feminist artists and writers began taking on the gendering of domesticity. Building on Betty Friedan’s arguments in The Feminine Mystique (1963), writers like Pat Mainardi critiqued the cultural assumptions that made cleaning a gendered imperative. In “The Politics of Housework” (1970), Mainardi examined the excuses used by her husband to avoid sharing the burden of household chores:
On December 15, 2011, the Obama administration announced “administration action” to protect the nation’s 1.7 million home care workers. President Obama called for the establishment of minimum wage and overtime standards that all workers recognized in the Fair Labor Standards Act (FLSA) received. These new reforms would virtually eliminate the “elder companion exemption” in the FLSA that Congress established in 1974 which allowed home care employers to continue their exploitation of home care workers.
President Obama delivered this announcement four years after the Supreme Court decided unanimously that the case’s plaintiff Evelyn Coke, and other home care workers, were not entitled to minimum wage protections and overtime pay. Like most home care workers, Evelyn Coke worked long hours for little pay. Coke performed what scholars Jennifer Klein and Elieen Boris call “intimate labor”—she cooked, cleaned, and bathed her clients.[1] Coke worked 24 hour shifts often and she worked decades without receiving benefits. When Coke decided to sue for back pay, the Supreme Court ruled against her, reinforcing the historical stigmatization of intimate labor. Two years later, the home care workers’ movement lost Evelyn Coke. Home care workers are still waiting for Obama’s “administration action” four years after the ruling.
A week ago, Saturday Night Live paid tribute to Prime Minister Margaret Thatcher who passed away earlier that week. The SNL sketch featured Fred Armisen as Ian Rubbish, a Johnny Rotten type, whose dislike for the British monarchy and government inspired punk-rock gems. However, as we learn in this “documentary,” when Margaret Thatcher came to power, Rubbish’s reaction left his band, the Bizzarros, and fans scratching their heads. Expecting Thatcher to be “Rubbished,” Rubbish instead did a 180 and wrote songs praising Thatcher. What in world had come over Rubbish? Well we learn soon enough that his “love” for the Iron Lady developed because, wait for it, she reminds him of his mum. So there is no changing his mind. SNLs tribute reflects a myriad of responses to Thatcher’s death. Not surprisingly, the stormy reaction across Britain and Ireland over Baroness Thatcher’s death hasn’t escaped anyone’s attention. The decision to commemorate or celebrate her death in Northern Ireland in particular, was bound to produce a split in opinion. The relationship between Northern Ireland (and the Republic of Ireland for that matter) and Thatcher has always been tense. Recent revelations from former Northern Ireland Secretary Peter Mandelson about Thatcher’s supposed mistrust of the Irish, and her equally naive and ridiculous Cromwellian solution to the “Troubles” (i.e. to simply move all the Catholics to the Republic) is just the latest in this deeply complicated relationship. Yet, the polarized responses to her death reflect not only her conservative policies that still influence British politics, but also reveal cultural norms and beliefs regarding gender and politics. Thatcher may have reminded Rubbish of his mum, but this reduced Thatcher to being a mum, not a politician, judged not for her (controversial) policies, but for her inability to fulfill feminine expectations.
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