Let’s face it, 2016 was a dumpster fire and we’re glad to see it die a fiery death. But in between the political cataclysms, celebrity deaths, and general terribleness, there were moments in 2016 that gave us life. Nursing Clio presents its second annual Best Of list. Favorite Book Laura Ansley: I read a lot… Read more →
In June 1958, Mildred Jeter and Richard Perry Loving married in the District of Columbia. The couple then returned to their home in Caroline County, Virginia. In the parlance of the time, Mildred was “colored.” Richard was white. Six weeks later, the local sheriff and his deputies burst into the Lovings’ bedroom in the middle… Read more →
2016 is Terrible, So Go Watch Ghostbusters, Laugh, and Let Feminism Save Us All Dear Ghostbuster boys. Sit down and close your mouths. Stop talking. Stop leaving your stupid Rotten Tomatoes reviews, and your comment threads, and doing your misogynist, racist, sexist tweeting and mansplaining. Just. Stop. First, you drove Leslie Jones off Twitter with… Read more →
The recent movie Me Before You, based on the best-selling book by Jojo Moyes, has been marketed as the tearjerker romance flick of the summer. The film stars Emilia Clarke (of Game of Thrones fame) and Sam Claflin (The Hunger Games). But the movie has drawn fierce protests from disability rights activists, who say that the… Read more →
[Spoiler alert for PBS’s Mercy Street] Like just about every other Civil War historian out there, I’ve been following PBS’s new period drama, Mercy Street, pretty closely. The show, which aired its season finale on Sunday night, was innovative compared to other shows and movies on the war: it included plotlines about the health of… Read more →
Anyone who is even vaguely familiar with contemporary American culture likely understands that female fertility has been a hotly contested, and highly politicized, issue for over forty years. Typically, these discussions revolve around abortion. There is, however, another side to reproductive choice: the right to reproduce. It is this often overlooked aspect of “a woman’s… Read more →
With acknowledgments to our friends at Tropics of Meta who thought of the idea first, here are Nursing Clio’s “best of” the year. Favorite Book Lauren MacIvor Thompson I got nothin’. #dissertationproblems Lara Freidenfelds Shaping Our Selves: On Technology, Flourishing, and a Habit of Thinking, by Erik Parens. Parens is wise, humble, insightful, and pleasingly… Read more →
Ava DuVernay’s Selma has sparked a robust discussion about the civil rights movement, memory, and the filmmaker’s role in creating “accurate” and teachable history. The film has garnered much pointed criticism for “artful falsehood,” “distorting” history, and “villainizing” Lyndon Johnson. The problems with these assertions are threefold. First, deploying terms like distortion and villainizing does not reflect a… Read more →
Spoiler Alert: This isn’t exactly a movie review (if you’d like one, I recommend Alex von Tunzelmann’s review in The Guardian) but it may give away elements of the film. Be forewarned. If you watch The Imitation Game, the Oscar-nominated biopic, you’ll learn that Alan Turing betrayed his country when blackmailed by a Soviet spy… Read more →
By Carrie Adkins
Can we all just finally agree that the ratings system currently used by the Motion Picture Association of America is misguided, outdated, and increasingly irrelevant?
I realize I am not saying anything particularly original or revolutionary here, as people are basically complaining about the MPAA everywhere and all the time now. These complaints vary, but most of them fall into two major categories. First, there’s the inconsistency issue: the ratings sytem seems to be applied subjectively and arbitrarily. So, for example, using the word “fuck” more than once is supposed to result in an R rating, except sometimes, as with The Social Network, it inexplicably doesn’t. Meanwhile, the sexually explicit The Wolf of Wall Street avoids the NC-17 rating for no perceptible reason aside from being directed by Martin Scorsese, while less explicit (but sadly Scorsese-less) films either have to cut material for an R or else accept the NC-17, knowing that the NC-17 typically results in much lower profits. This situation was discussed perceptively by director Jill Soloway, who was forced to make a number of cuts to Afternoon Delight in order to avoid an NC-17.