On April 1, 2019, news broke that Awkwafina and Ike Barinholtz are producing and starring in a movie named Crime After Crime, a comedy about true crime podcasting. Earlier this year, fictionalized true crime podcast The Angel of Vine, which featured Hollywood stars like Joe Manganiello, Constance Zimmer, and Alfred Molina, wrapped up its 10… Read more →
There are few things I enjoy more in my fiction than a good, unreliable narrator. As someone who loves the art of storytelling, I find the way an unreliable narrator can construct a façade, building a truth out of a false assumption, a misremembered interaction, or an outright deception — and I find the tumble,… Read more →
I unabashedly love romance novels. As a reader, I find that a well-crafted happy ending is a wonderful antidote to a world that seems at times utterly devoid of them. As a scholar of gender, I am fascinated by the ways in which sexuality, power, and desire are constructed, discussed, and challenged. Moreover, I heartily… Read more →
In George Sand’s 1832 idealist novel, Indiana, the eponymous protagonist is raised alongside her sœur de lait or “milk sister” Noun in the French Indian Ocean colony of Île Bourbon (present day Réunion). A “milk sister” was the daughter of the often enslaved wet nurse, and under French slave laws, children of enslaved women carried… Read more →
Recently, Italian journalist Claudio Gatti allegedly “outed” the popular Italian novelist Elena Ferrante by publishing in the New York Review of Books proof of her “true” identity. Ferrante’s writing, particularly the Neapolitan novels — a series of four books that chronicle female friendship, violence, poverty, and gender in postwar Italy — have become international bestsellers… Read more →
In 1938, the British crime writer and theologian Dorothy Leigh Sayers addressed a women’s society on the simple question: “Are Women Human?” Adding her voice to the ongoing discourse on the “woman question,” Sayers expressed frustration with the wonder and criticism directed towards those people whose lives divert from the path expected of their gender…. Read more →
By Carolyn Herbst Lewis
There is much ado these days about E.J. James’ Fifty Shades series. While some folks are defending it as sex-positive, others condemn it for promoting female powerlessness and submission. The problem with much of the commentary is that since nobody wants to be a jerk and give away the story, most stop at the Red Room of Pain and the BDSM contract between 27-year-old Christian Grey and 21-year-old Anastasia Steele.