Ava DuVernay’s Selma has sparked a robust discussion about the civil rights movement, memory, and the filmmaker’s role in creating “accurate” and […]
Now Available RUTGERS UNIVERSITY PRESS or BOOKSHOP.ORG On June 24, 2022, the Supreme Court’s Dobbs v. Jackson Women’s Health Organization decision overturned Roe v. Wade, stripping federal [...]
Learn moreThe History and Politics of Reproduction, Before and After Roe A Syllabus Thank you for helping Nursing Clio create this syllabus, which we hope will [...]
Learn moreWhat follows is a reading list based upon a writing-based history course that Austin McCoy taught in the Fall of 2015. While teaching the course, [...]
Learn moreIn 2016, we - the Nursing Clio editorial collective - were excited to be living in a historic moment that (we believed) would see the [...]
Learn moreNursing Clio Prize for Best Journal Article The Nursing Clio Prize for Best Journal Article is awarded annually for the best peer-reviewed academic journal article [...]
Learn more
Ava DuVernay’s Selma has sparked a robust discussion about the civil rights movement, memory, and the filmmaker’s role in creating “accurate” and […]
By Ginny Engholm
A recent Facebook post by our own Jacqueline Antonovich weighed in on one of the most contentious issues in the mommy wars — breastfeeding. She was responding to another Facebook post by a well-known feminist blogger who goes by the name The Feminist Breeder. Antonovich wrote, “I finally had to unfollow a page about feminism and birth/parenting. I’m all for breastfeeding, but if you are going to say you are not trying to judge, but you just ‘don’t get’ women who bottle feed, then you are too wrapped up in your liberal, upper-class, white world to understand how economics, culture, body type, cancer, and/or sexual trauma can make breastfeeding difficult or impossible. So tired of sanctimonious mommies.”
By Jacqueline Antonovich
-The complex history of pain.
-Beauty spots and French Pox.
-AIDS and African American History.
-President Ford and the tamale incident.
-The history behind General Tso and his chicken.
By Elizabeth Reis
Students at Mt. Holyoke College are protesting the annual performance of Eve Ensler’s feminist classic, The Vagina Monologues. Their gripe with the play is that by focusing on vaginas, the play perpetuates “vagina essentialism,” suggesting that ALL women have vaginas and that ALL people with vaginas are women. Transgender and intersex people have taught us that this seemingly simple “truth” is actually not true. There are women who have penises and there are men who have vaginas. Not to mention women born without vaginas! Hence, these Mt. Holyoke critics imply, the play contributes to the erasure of difference by presenting a “narrow perspective on what it means to be a woman,” and shouldn’t be produced on college campuses.
Spoiler Alert: This isn’t exactly a movie review (if you’d like one, I recommend Alex von Tunzelmann’s review in The […]
By Jacqueline Antonovich
-Trans* history in Early America.
-Could this virus be good for you?
-History’s worst diet: the tapeworm.
-The controversial history of skim milk.
-The stalking of an American President.
-Capitalism plus dope equals genocide.
-Recreating ancient Pompeii with legos.
By Austin McCoy
Rap artist Azealia Banks, who released her debut album, Broke with Expensive Taste, in November, made the news with her appearance on Hot 97’s radio show, Ebro in the Morning, in December. In her 47 minute interview, Banks railed against white Australian-born pop singer-turned rap artist, Iggy Azalea, Azalea’s boss, rapper, T.I., and against capitalism, slavery, and the appropriation of black culture. Azalea released her debut album, The New Classic in April, which shot up to #1 on Billboard’s R&B/Hip Hop Album and Rap charts. Her song “Fancy” dominated the airwaves. The positive reception even led Forbes to initially declare that Azalea “ran” rap.[1] This declaration, which Forbes eventually dialed back, underscored Banks’s critique about appropriation and black women’s exclusion and erasure in the corporate rap industry. Banks declared, “At the very fucking least, you owe me the right to my fucking identity. And not to exploit that shit. That’s all we’re holding onto with hip-hop and rap.”
By Sarah Handley-Cousins
While the rest of the world was happily decking the halls and calling for goodwill toward men, Civil War historians — in the now-famous words of Historista blogger and historian Megan Kate Nelson — were “freaking out.”
They weren’t freaking out because of the discovery of some great new source material, or an exciting new publication. They were freaking out because both Civil War History and The Journal of the Civil War Era, the two major journals in the field, each published an article in their December issues that criticized the state of current Civil War research and writing. The major concern for the articles’ authors — Gary Gallagher and Kathryn Shively Meier for JCWE and Earl J. Hess for CWH — was that Civil War military historians, already a dying breed, are being hurried to their demise by eager social and cultural historians who dismiss military history as unscholarly and old-fashioned. Earl Hess suggests that “understanding the real battlefield of 1861-1865 is essential to understanding everything else about the Civil War.”[1] Gallagher and Meier assert that “because the Civil War was a massive war, every scholar of the conflict should be at least basically versed in its military history.”[2]
By Jacqueline Antonovich
-CSI: Alexander.
-How ebola research has faltered.
-Remembering Soviet space dogs.
-When 18th-century doctors fight.
-Bestiality in the time of smallpox.
-The cost of death in the 19th century.
In December last year, the FDA lifted its longtime policy of deferring any blood or tissue donations coming from men […]
When our Patreon gets to $500/month, we’ll be able to compensate our writers. This has been a long-term goal of Nursing Clio; now you can help us reach it! If you enjoy our content, support us and our writers by becoming a member of our Patreon.