Many years ago when I was first starting my dissertation research on Civil War disability, I had an opportunity to […]
Sunday Morning Protest – A Note from the Editors
Since 1903, a poem has lain before the feet of the Statue of Liberty in New York Harbor that declares […]
Lady Presidential Candidates: Belva Lockwood (1830-1917)
Oh, Hillary. What a bitch. A liar. A cheat. A man-hater. A one-percenter. The Donald most definitely does NOT rate […]
“She Did It to Herself”: Women’s Health on Television and Film
[Spoiler alert for PBS’s Mercy Street] Like just about every other Civil War historian out there, I’ve been following PBS’s […]
Ghosts are Scary, Disabled People are Not: The Troubling Rise of the Haunted Asylum
This past spring, the defunct Willard Psychiatric Center (previously known as the Willard Asylum for the Chronic Insane) in Ovid, […]
What’s on Your Feminist Playlist?
Music played a pretty important role in my life as a kid, but I always listened to what my parents […]
Heritage is Not History: Historians, Charleston, and the Confederate Flag
It’s hard to be a historian these days without constantly hearing about the supposed irrelevance of your work. After all, it […]
You’re Wearing That?
In February of this year, Urban Outfitters began selling a tapestry covered with faded gray stripes and adorned with pink […]
Come to the Dark Side: Disability as “Dark” Civil War History
By Sarah Handley-Cousins
While the rest of the world was happily decking the halls and calling for goodwill toward men, Civil War historians — in the now-famous words of Historista blogger and historian Megan Kate Nelson — were “freaking out.”
They weren’t freaking out because of the discovery of some great new source material, or an exciting new publication. They were freaking out because both Civil War History and The Journal of the Civil War Era, the two major journals in the field, each published an article in their December issues that criticized the state of current Civil War research and writing. The major concern for the articles’ authors — Gary Gallagher and Kathryn Shively Meier for JCWE and Earl J. Hess for CWH — was that Civil War military historians, already a dying breed, are being hurried to their demise by eager social and cultural historians who dismiss military history as unscholarly and old-fashioned. Earl Hess suggests that “understanding the real battlefield of 1861-1865 is essential to understanding everything else about the Civil War.”[1] Gallagher and Meier assert that “because the Civil War was a massive war, every scholar of the conflict should be at least basically versed in its military history.”[2]
I’m a Country Girl … Or Not
By Sarah Handley-Cousins
I have a confession: I love country music. I grew up in a small town that could have come straight out of a country song, with its one stoplight, large number of cows, and self-described “redneck” residents. Country music was, unsurprisingly, pretty popular. I stopped listening to country for quite awhile after I left home, until a friend took me to a Zac Brown Band concert — after that, I was hooked. My Pandora stations all had titles like “Today’s Country Radio” and “Country Love Songs Radio.” I even bought cowboy boots. One day while singing along to Florida Georgia Line’s incredibly popular “Cruise,” I found myself thinking, “Man, I want to be this girl.”