Eslanda Goode Robeson and her husband, Paul Robeson. He is in profile in the right of the image, she looks at him with a little smile on her face.

Writing Black Women’s Stories in French: A Review of A Decolonial Feminism and Reimagining Liberation: How Black Women Transformed Citizenship in the French Empire

Sketch of the author Colette's face and hair in profile.

Colonial Colette: From Orientalism and Egyptian Pantomime to Polaire’s Jamaican “Slave”

Drawing of enslaved people revolting.

Feeling Grief: On Emotions in the Archive of Enslavement

The Persistence of Félicité Kina: Kinship, Gender, and Everyday Resistance

An 1839 engraving of five women, four of them standing women holding pitchers with bowls and pitchers on their heads, and one kneeling next to a cow. They are wearing skirts.

Locating Enslaved Black Wet Nurses in the Literature of French Slavery