In August 1889, an English woman named Charlotte S. experienced a depressive episode marked by religious delusions. Convinced there “was […]

In August 1889, an English woman named Charlotte S. experienced a depressive episode marked by religious delusions. Convinced there “was […]
It’s been 10 years since archaeologists discovered Richard III’s skeleton under a parking lot in Leicester, England. But historians haven’t […]
In the waning months of World War II, news began to circulate that the British had been sending operatives to […]
Our latest series at Nursing Clio, “Maternity at War,” takes perhaps obvious inspiration from the Russian invasion of Ukraine. Coverage […]
In 2020, at the beginning of the pandemic, my friend and I were in the midst of writing our honors […]
Before the rainbow flag became synonymous with the LGBTQ+ community, the emblem of queer activism was the pink triangle, a […]
In May 2022, Irish social and mainstream media were alive with heated discussion of the terms of proposed agreements between […]
By Helen McBride
A new play opened in Dublin this week called Eirebrushed. Written by Brian Merriman, the play tells the story of Elizabeth O’Farrell, whose role as combatant has been quite literally airbrushed out of Irish history and the 1916 Easter Rising. The Easter Rising of 1916 was a significant rebellion against British colonization and, while it ultimately failed, it sparked a series of events that eventually lead to the independence of Ireland (first as the Irish Free State, a dominion of the British Commonwealth, in 1922, and then as the independent Republic of Ireland in 1948). Elizabeth O’Farrell, a midwife and member of Cumann na mBan (the League of Women), has been described as a “fierce Republican” and played a significant role in the rebellion of 1916. O’Farrell actively fought for the independence of Ireland from British colonization before and during the Easter Rising, delivering bulletins and instructions to the rebel outposts around Dublin. As Eirebrushed brings to our attention, her legacy, and those of other women active in the movement, has been diminished in the commemoration of the Easter Rising and its role in sparking the Irish Civil War.
I probably don’t need to tell you that the 2014 Winter Olympics captured the attention of millions of people in the […]
By Helen McBride
As Ireland moves away from its uneasy coalition with the Catholic church, the issue of gay rights in Ireland is gaining more traction. The upcoming same-sex marriage referendum has resulted in gay rights being discussed on Irish television. On the January 11 edition of the Saturday Night Show on RTÉ, Ireland’s national broadcaster, Rory O’Neill (aka Ireland’s arguably most famous Drag Queen, Panti Bliss) became the center of a national controversy over gay rights and homophobia in Ireland. During his live on-air interview with host Brendan O’Connor, O’Neill described a number of Irish journalists as well as a pressure group named the Iona Institute as homophobic in their views toward same-sex marriage.
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