Naomi Wolf at a podium

Notes on Outrages from Reviewer #2

screen shot of Caroline Criado Perez's website, which includes a laptop with a photo of her book, Invisible Women, as the background of the laptop screen

The Absence of Presence: Caroline Criado Perez’s Invisible Women: Exposing Data Bias in a World Designed for Men

Who Was the Original “Welfare Queen?”: Review of Josh Levin’s The Queen: The Forgotten Life Behind an American Myth

A white lady in a bomb ass hat bends over a man and cradles his head as she holds a glass to his lips

Complicating the Canon of the First World War: A Review of Ellen La Motte’s Backwash of War, edited by Cynthia Wachtell

White license plate for Virginia, with M1DW1F spelled in blue letters.

From Hospital to Home: Wendy Kline’s Coming Home: How Midwives Changed Birth

Desert with large rock formations in the background. Some scrubby green vegetation in the foreground

What Does Gender Have to Do with the Desert?

Historian Witches and Scientist Vampires: Can We Be Deborah Harkness When We Grow Up?

Understanding Trauma in the Civil War South: A Conversation with Diane Miller Sommerville

A woman (Briallen Hopper) in a blue sun dress stands at a recreation of a ship's wheel, looking into the distance.

“Acknowledgments in Essay Form:” Briallen Hopper’s Hard to Love

A group of men surround a woman who is bent over backwards

Seeking Health and Doing Harm: Gender Bias, Medical Sexism, and Women’s Encounters with Modern Medicine