Drawing of enslaved people revolting.

Feeling Grief: On Emotions in the Archive of Enslavement

A white woman holds a skull like Hamlet.

“Welcome to the Archive”

Not the Doghouse: Metropolitan Life Insurance Company Archives with Snoopy!

Black and white illustration of a farm scene with a doctor in a cloak and hat pointing at a standing cow while a man and woman look concerned. A small child sits on the ground examining the doctor’s box and two other people in bonnets look out the door of the farmhouse.

The Heifer and Its Lymph: The Animal Vaccine Establishment’s Register Book

Adventures without Archives: Professors without Travel Funding

The three-story facade of Brazil's National Musueum, the interior is visibly missing and collapsed with smoke-stained windows. A red fire engine and police tape cross the foreground.

Up in Flames: The Death of Brazil’s Museu Nacional

On Infanticide and Reluctant Maternity: Between Personal Testimony and Historical Sensitivity

Pinkie, Your Hospital Pal! Or, Why I Bought a Weird Old Hand Puppet on eBay

An 1839 engraving of five women, four of them standing women holding pitchers with bowls and pitchers on their heads, and one kneeling next to a cow. They are wearing skirts.

Locating Enslaved Black Wet Nurses in the Literature of French Slavery

Adventures in the Archives: Living in a Material World

By Jacqueline Antonovich

A wise woman once remarked, “We are living in a material world and I am a material girl.” And while this ode to consumption may have been referring to the procurement and enjoyment of luxury items, I think Madonna may have been on to something – though perhaps not in the way she intended. You see, over this past summer I had an unintentional, but deeply meaningful, love affair with . . . material culture.