Quit Snickering about Michael Douglas, HPV is Serious Business

By Heather Munro Prescott

In an interview about his new film “Behind the Candelabra”, actor Michael Douglas told the Guardian that his throat cancer was caused not by years of smoking but “by HPV [human papillomavirus], which actually comes about from cunnilingus.” Douglas said, “I did worry if the stress caused by my son’s incarceration didn’t help trigger it. But yeah, it’s a sexually transmitted disease that causes cancer.” He shrugs. “And if you have it, cunnilingus is also the best cure for it. . . It giveth and it taketh.” When I first heard this story, I thought Douglas was compensating for playing a flamboyantly gay character by boasting of his heterosexual male prowess (and/or showing that despite his age and illness, he can still satisfy his much younger wife).

A blonde senior woman wearing black robe standing amid a group of people.

Gender, Medicine, and Horror, Oh My!

By Carrie Adkins

First of all, a disclaimer: in many ways, American Horror Story is not Nursing Clio material. For starters, the show features haunted houses, alien abduction, demonic possession, and an angel of death; it does not, in short, aim for realism or historical accuracy. The first season offered very little content related to Nursing Clio’s focus on gender and medicine in a historical context, and after just a few episodes, I found it uneven and disappointing. There were, at least, some interesting (and purposefully horrifying) highlights – part of the back story involved an unscrupulous 1920s abortionist, and Jessica Lange did an amazing job playing a very, very, very bad mother – but in general, that season quickly lost its scariness and became ridiculous and repetitive. But oh, the second season!

Adolescents, ACOG, and LARCs: Coercion or Choice?

By Heather Munro Prescott

via re: Cycling, where Laura Werschler expresses her disgust with “drug and device based birth control and its zealots.” According to Werschler, “birth control in the U.S. has become synonymous with drugs and devices. The pill, patch, or ring; Depo-Provera or hormonal implant; copper IUD or Mirena IUD; traditional hormonal birth control or long-acting reversible contraceptives. All impact the function of the menstrual cycle; some suppress it completely. As a pro-choice menstrual cycle advocate I take issue with the fact that keeping your cycle and contracepting effectively are now considered mutually exclusive.”

I Am Man: The Second Sexism, Sexism, and Lessons for Historians

By Sean Cosgrove

Hands up if you’ve heard of The Second Sexism?
For those, like me, whose spidey-senses may be tingling at a mention of the title, but draw a blank regarding its substance, The Second Sexism is a book released earlier this year by philosopher David Benatar concerning what he sees as the disadvantage and discrimination faced by boys and men as a result of their sex. Benatar’s contention is that there exists a second form of sexism affecting males which is not only under theorised but remains largely undiscussed. The importance of this conversation, he contends, is that only through an awareness of the operation of all forms of sexism can we, as a society, begin to overcome it.
While a quick Google search (the first port of call for any accomplished scholar) confirms that I seem to have arrived at this party a little late, thankfully the notion of a second sexism is incredibly interesting and while the book lays down some serious gender talk, it also offers some food for thought as to the unique skills inherent in the historical discipline.

A ginger haired woman holding a stick, smirking, with vintage outfits, from movie Hysteria.

Finding Satisfaction: A Review of Hysteria

Having researched and delivered conference papers on the topic, the medical historian in me danced a little jig when I heard Sony Pictures Classics was releasing a movie called “Hysteria.” I did, however, enter the theater with some reservations. Motion picture portrayals are notorious for being historically inaccurate, and if films are true to history, those not in the field tend to find it a little, well, boring. (That is unless Werner Herzog is narrating it with his dry but inadvertently humorous observations.) Thankfully, the $7.50 spent on a matinee wasn’t a waste at all. Just about anyone- unless you are akin to the Victorian “social purist” Anthony Comstock- can walk away from this movie feeling quite satisfied.