Painting of a crowd of people surrounding a beleaguered looking woman in a torn nightgown; a belt (for chaining her up) is behind removed from around her waist.

What Would Philippe Pinel Do? Old and New Understandings of Mental Illness

A white lady in a bomb ass hat bends over a man and cradles his head as she holds a glass to his lips

The Devastation of Peace: Otilia Noeckel and the Army Nurse Corps after the Great War

Explicit: Censorship, Sexology, and Sexuality in Independent Ireland

Illustrated portrait of Thomas Hamblin, depicting a middle-aged man with curly hair, with his name in script font underneath.

“Instruction which she should avoid”: Reflections on 1830s Theater Manager Thomas Hamblin in the #MeToo Era

A lithograph of a man grabbing a woman by the waist while she tries to move away from him and pushes him off her. A dog bites his satchel.

“There Had Been No Penetration:” Male Surgeons’ Roles in Defining Rape in Eighteenth-Century England

Take a Hay Ride: Remembering Louise Hay

A white lady in a bomb ass hat bends over a man and cradles his head as she holds a glass to his lips

“Bought some souvenirs as usual and a cheese:” Nurses’ Lives Outside the Hospital in the First World War

Women, Prayer, and Household Authority in Irish History

History at Home in the Tenement Museum

Photo of a sculpture of a wall splitting two worlds. On the left is home, depicting a peaceful family playing joyfully with their dog. On the right is a soldier charging valiantly into the chaos of the war zone

Creating Battle Signs: Iraq/Afghanistan War Veterans, Art Therapy, and Rehabilitation