On a recent plane ride, I pulled out my knitting needles to finish the scarf I was making. Normally I am the only person on the plane knitting. But to my surprise, the college-age girl next to me was crocheting a toy snake and another young woman a few rows up was using chunky yarn… Read more →
Before the terrorist attacks in Paris and Beirut a few weeks ago, I had begun writing an essay about race, gender, and free speech at the University of Missouri. The President and Chancellor have recently stepped down amidst charges from the student body that they were unresponsive to multiple incidents of racial intimidation (as well… Read more →
Can rich, white ladies be effective feminists? In the court of public opinion these days, it seems the answer is no, mostly because they keep saying and doing really stupid things. Women of color and those of us lacking in the silver spoon department have been telling everyone from Taylor Swift to Erica Jong to… Read more →
Music played a pretty important role in my life as a kid, but I always listened to what my parents listened to — an interesting blend of 70s singer-songwriters, blue-collar rockers, and sugary 60s pop. When I was around 12, in an attempt to fit in better with my sixth grade peers, I decided to… Read more →
It’s not news that women are paid less than men for comparable work, subject to variation across race, field of labor, and other factors. In medicine, the gap is particularly pronounced. At first glance, we wouldn’t necessarily expect medicine to be particularly inequitable. Being a physician is a high-status occupation that requires a great deal… Read more →
Recently I attended a bridal shower that provided a rare occasion for chatting with girlfriends sans partners and kids. Upon returning to my seat from a second visit to the brunch buffet, I noticed two concurrent conversations going on either side of me. Although occurring separately, both conversations centered on cleaning- specifically, house cleaning and… Read more →
By Elizabeth Reis
Students at Mt. Holyoke College are protesting the annual performance of Eve Ensler’s feminist classic, The Vagina Monologues. Their gripe with the play is that by focusing on vaginas, the play perpetuates “vagina essentialism,” suggesting that ALL women have vaginas and that ALL people with vaginas are women. Transgender and intersex people have taught us that this seemingly simple “truth” is actually not true. There are women who have penises and there are men who have vaginas. Not to mention women born without vaginas! Hence, these Mt. Holyoke critics imply, the play contributes to the erasure of difference by presenting a “narrow perspective on what it means to be a woman,” and shouldn’t be produced on college campuses.
By Austin McCoy
Rap artist Azealia Banks, who released her debut album, Broke with Expensive Taste, in November, made the news with her appearance on Hot 97’s radio show, Ebro in the Morning, in December. In her 47 minute interview, Banks railed against white Australian-born pop singer-turned rap artist, Iggy Azalea, Azalea’s boss, rapper, T.I., and against capitalism, slavery, and the appropriation of black culture. Azalea released her debut album, The New Classic in April, which shot up to #1 on Billboard’s R&B/Hip Hop Album and Rap charts. Her song “Fancy” dominated the airwaves. The positive reception even led Forbes to initially declare that Azalea “ran” rap. This declaration, which Forbes eventually dialed back, underscored Banks’s critique about appropriation and black women’s exclusion and erasure in the corporate rap industry. Banks declared, “At the very fucking least, you owe me the right to my fucking identity. And not to exploit that shit. That’s all we’re holding onto with hip-hop and rap.”
In the United States, female circumcision (the removal of the clitoral hood) and clitoridectomy (the removal of the external nub of the clitoris) are nearly always regarded as practices that happen someplace else. When their presence within the United States is acknowledged, these procedures are positioned as having come from the outside, as originating with immigrants from… Read more →
Today we have something a bit different: an interview with Professor Astrid Henry by Nursing Clio blogger Carolyn Herbst Lewis. Astrid is the Louise R. Noun Professor of Gender, Women’s, and Sexuality Studies at Grinnell College. She recently co-authored Feminism Unfinished: A Short, Surprising History of American Women’s Movements (W.W. Norton & Company, 2014) with Dorothy Sue Cobble and Linda Gordon, which Carrie Pitzulo reviewed for us earlier this week. Astrid also is the author of Not My Mother’s Sister: Generational Conflict and Third-Wave Feminism (Indiana University Press, 2004), and her work has appeared in various journals and anthologies. She received her Ph.D. from the Interdisciplinary Modern Studies Concentration of the University of Wisconsin-Milwaukee’s English Department and has been a member of the Governing Council of the National Women’s Studies Association.