Traveling through Ireland in 1909, writer Robert Lynd described “a strange crying—almost a lamentation” that one might hear “on some […]
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Traveling through Ireland in 1909, writer Robert Lynd described “a strange crying—almost a lamentation” that one might hear “on some […]
Before the age of Facebook and parenting blogs, how did women exchange knowledge and beliefs about reproduction? Without What to […]
At present in Ireland, a Domestic Violence Bill is rumbling its way through the Irish parliament, a welcome albeit overdue […]
On May 22, 1971, forty-seven members of the Irish Women’s Liberation Movement (IWLM) boarded the 8am train from Dublin to […]
By Helen McBride
A new play opened in Dublin this week called Eirebrushed. Written by Brian Merriman, the play tells the story of Elizabeth O’Farrell, whose role as combatant has been quite literally airbrushed out of Irish history and the 1916 Easter Rising. The Easter Rising of 1916 was a significant rebellion against British colonization and, while it ultimately failed, it sparked a series of events that eventually lead to the independence of Ireland (first as the Irish Free State, a dominion of the British Commonwealth, in 1922, and then as the independent Republic of Ireland in 1948). Elizabeth O’Farrell, a midwife and member of Cumann na mBan (the League of Women), has been described as a “fierce Republican” and played a significant role in the rebellion of 1916. O’Farrell actively fought for the independence of Ireland from British colonization before and during the Easter Rising, delivering bulletins and instructions to the rebel outposts around Dublin. As Eirebrushed brings to our attention, her legacy, and those of other women active in the movement, has been diminished in the commemoration of the Easter Rising and its role in sparking the Irish Civil War.