A black and white photo of three nurses standing in the center, facing and talking to some other women

Meeting Death–Notes from a Living Historical Artifact

I have recently experienced a good deal of (mostly good) healthcare services here in Northern Illinois. For the last three and a half years I have been a patient in and out of various hospitals, undergoing small and large “procedures,” experiencing rehabilitation and a large number of outpatient services. It wasn’t always this way. I am/was a nurse. I was the one giving the care, staying calm in emergencies, answering those difficult questions and doling out reassurance like sandwiches at a picnic. My recent experiences as a patient have brought back a lot of memories and the sudden realization that I am a living, historical artifact. The apprentice-style nurse training I received in Britain in the early 1980s is now defunct and has been replaced by a University degree, higher wages and a level of professionalism even Florence Nightingale could only dream of in 1860 when she established her training school for nurses in London.[1]Britain, the whole world now knows, reveres the National Health Service as a national icon (remember the opening ceremony at the 2012 Olympics in London–dancing nurses in archaic-looking uniforms and nimble-footed doctors prancing around the stadium with their bedded patients?). I think it was watching the NHS tableau that triggered the memory of the time I first met death.

A ginger haired woman holding a stick, smirking, with vintage outfits, from movie Hysteria.

Finding Satisfaction: A Review of Hysteria

Having researched and delivered conference papers on the topic, the medical historian in me danced a little jig when I heard Sony Pictures Classics was releasing a movie called “Hysteria.” I did, however, enter the theater with some reservations. Motion picture portrayals are notorious for being historically inaccurate, and if films are true to history, those not in the field tend to find it a little, well, boring. (That is unless Werner Herzog is narrating it with his dry but inadvertently humorous observations.) Thankfully, the $7.50 spent on a matinee wasn’t a waste at all. Just about anyone- unless you are akin to the Victorian “social purist” Anthony Comstock- can walk away from this movie feeling quite satisfied.