In the October 1949 issue of the romance comic Hollywood Confessions, the protagonist of the story “Too Ugly to Love” describes himself as so ugly that he resembles a “menace from a horror picture.”1 Jon Koslo has “accepted … [his] ugliness philosophically!” when a film producer spots him and “exploits [his] ugliness” by giving him… Read more →
When the Irish Free State created the Censorship of Publications Board in 1929, they were arguably asserting their independence.1 By taking control of information, and defining standards of morality and decency through banned literature, censorship was in fact a rejection of colonial rule. Much of the independent Irish identity hinged on a sense of moral… Read more →
By Carrie Adkins
Can we all just finally agree that the ratings system currently used by the Motion Picture Association of America is misguided, outdated, and increasingly irrelevant?
I realize I am not saying anything particularly original or revolutionary here, as people are basically complaining about the MPAA everywhere and all the time now. These complaints vary, but most of them fall into two major categories. First, there’s the inconsistency issue: the ratings sytem seems to be applied subjectively and arbitrarily. So, for example, using the word “fuck” more than once is supposed to result in an R rating, except sometimes, as with The Social Network, it inexplicably doesn’t. Meanwhile, the sexually explicit The Wolf of Wall Street avoids the NC-17 rating for no perceptible reason aside from being directed by Martin Scorsese, while less explicit (but sadly Scorsese-less) films either have to cut material for an R or else accept the NC-17, knowing that the NC-17 typically results in much lower profits. This situation was discussed perceptively by director Jill Soloway, who was forced to make a number of cuts to Afternoon Delight in order to avoid an NC-17.