Tan, Wet, Happy, and Fat?

By Cheryl Lemus

When you look at old photographs of yourself, there are many that deserve to be burned and others that inspire a giggle or two. The constant shifts in fashion have meant that you may have stashed away some unflattering pictures that include neon colors, ugly prom and bridesmaid dresses, polyester, big hair, shaved heads, and velour jogging suits. A lot of these pictures spur laughter and some just leave you puzzled and wondering, “why in hell was I wearing that?!?” Then there are those you may be hiding for one reason or another: if you are blinking and look like you’re drunk or you just woke up after a night of partying and your best friend decided to capture your messed up hair, smeared lipstick, and bloodshot eyes as a Kodak moment. Those are not too pleasant, but after a while, although you might not show them readily, you chuckle when you look at them. However, there are pictures that never see the light of day. These pictures can be of anything, but I venture to guess that many of the photographs you bury remain hidden because you believe you look fat.

A sexy blonde woman standing by a silver car, smiling, with several tropical plants at the background

Bodies on Display, Then and Now

By Rachel Epp Buller

I witnessed a breakthrough this week, one of those “a-ha” moments that, as a teacher, is so terribly exciting. I’m teaching an undergraduate seminar this spring on Women and Gender in Art History. Since we’re a small school, though, we don’t have an art history major and many of my students come from non-art backgrounds. This means that most of the ideas and artists we’re talking about are brand-new for most of the students.
What was this “a-ha” moment? It was the realization, voiced by one of my students, that the display of women’s bodies that we see happening throughout the history of art is not really so different from the display of women’s bodies in contemporary popular culture. This may seem apparent to many of you readers, and the student in question was surprised herself that she had never made this connection. She is well-read in ideas of the male gaze, and considers herself savvy when it comes to critiquing mass media representations of women.