Hello Nursing Clio readers,
Big things are happening!
Our official relaunch date is set for Friday, May 29th and we could not be more excited about the interesting, fun, and thought-provoking content we have on tap.
One important technical note: Nursing Clio will be closed for maintenance periodically between May 24 and our launch date in order for our technical editor to do his magic on the new site. Also, for you longtime Nursing Clio readers, please make sure you have nursingclio.org bookmarked on your computer and not our old address, wordpress.nursingclio.com.
See you on the other side!
By Elizabeth Reis
Students at Mt. Holyoke College are protesting the annual performance of Eve Ensler's feminist classic, The Vagina Monologues. Their gripe with the play is that by focusing on vaginas, the play perpetuates "vagina essentialism," suggesting that ALL women have vaginas and that ALL people with vaginas are women. Transgender and intersex people have taught us that this seemingly simple "truth" is actually not true. There are women who have penises and there are men who have vaginas. Not to mention women born without vaginas! Hence, these Mt. Holyoke critics imply, the play contributes to the erasure of difference by presenting a "narrow perspective on what it means to be a woman," and shouldn't be produced on college campuses.
By Austin McCoy
Rap artist Azealia Banks, who released her debut album, Broke with Expensive Taste, in November, made the news with her appearance on Hot 97's radio show, Ebro in the Morning, in December. In her 47 minute interview, Banks railed against white Australian-born pop singer-turned rap artist, Iggy Azalea, Azalea's boss, rapper, T.I., and against capitalism, slavery, and the appropriation of black culture. Azalea released her debut album, The New Classic in April, which shot up to #1 on Billboard's R&B/Hip Hop Album and Rap charts. Her song "Fancy" dominated the airwaves. The positive reception even led Forbes to initially declare that Azalea "ran" rap. This declaration, which Forbes eventually dialed back, underscored Banks's critique about appropriation and black women's exclusion and erasure in the corporate rap industry. Banks declared, "At the very fucking least, you owe me the right to my fucking identity. And not to exploit that shit. That's all we're holding onto with hip-hop and rap."
By Sarah Rodriguez
In the United States, female circumcision (the removal of the clitoral hood) and clitoridectomy (the removal of the external nub of the clitoris) are nearly always regarded as practices that happen someplace else. When their presence within the United States is acknowledged, these procedures are positioned as having come from the outside, as originating with immigrants from parts of the world where they are performed as an "initiation rite" for young girls. Indeed, termed FGM/C (female genital mutilation/cutting) by the WHO and USAID, the practices are deemed to be cultural and performed for "non-medical reasons."
Today we have something a bit different: an interview with Professor Astrid Henry by Nursing Clio blogger Carolyn Herbst Lewis. Astrid is the Louise R. Noun Professor of Gender, Women’s, and Sexuality Studies at Grinnell College. She recently co-authored Feminism Unfinished: A Short, Surprising History of American Women’s Movements (W.W. Norton & Company, 2014) with Dorothy Sue Cobble and Linda Gordon, which Carrie Pitzulo reviewed for us earlier this week. Astrid also is the author of Not My Mother’s Sister: Generational Conflict and Third-Wave Feminism (Indiana University Press, 2004), and her work has appeared in various journals and anthologies. She received her Ph.D. from the Interdisciplinary Modern Studies Concentration of the University of Wisconsin-Milwaukee's English Department and has been a member of the Governing Council of the National Women's Studies Association.
By Carrie Pitzulo
In Feminism Unfinished: A Short, Surprising History of American Women's Movements, historians Dorothy Sue Cobble, Linda Gordon, and Astrid Henry survey the women's movement from 1920 to the present. That periodization might be, as their title suggests, surprising to some readers, since "the" women's movement is primarily associated with the 1960s and 1970s. But Cobble, Gordon, and Henry argue for a long women's movement, stretching from labor activists in the mid-twentieth century, through the liberationists of the postwar years, to the feminist bloggers of the new millennium. They assert, "there was no period in the last century when women were not campaigning for greater equality and freedom. Feminism has been not a series of disconnected upsurges but a continuous flow." In making the case that the women's movement was never, in fact, "in the doldrums," the scholars pull varied activists and causes into the tent, expanding the definition of American feminism itself, as well as our historical understanding of it.
By Cheryl Lemus
As I write this blog post, I am recovering from an intense Thanksgiving weekend. Over the course of four days, I cooked, attended a Doctor Who convention, put up the rest of our Christmas decorations, and shopped. I am not ashamed to admit that as of 11:59 p.m. on Halloween, I hit the Christmas station on Pandora. Although I usually wait until Thanksgiving to decorate the tree, I actually put it up a week early this year. And this was not the first time I was in a store very early on Thanksgiving because there was a deal that I could not pass up. I am a liberal feminist, and yes, I am one of those people who loves most everything about the holiday. I cook, I shop, I share past traditions, and damn it, my tree looks awesome. This feminist loves Christmas. Kirk Cameron would be proud.
By Elizabeth Reis
As a women's and gender studies professor, I am especially aware of my privilege in not having to think constantly about my gender. Because I fit most of the criteria of a typical white American woman, I never get questioned or called out on my gender expression, and so I'm free to focus on other aspects of my life, leaving this area relatively unexamined. There have been two times in my life when I thought consciously about my gender identity: the first time I had sex ("this is how it's done?") and when I gave birth to my first child ("this is what women do?"). With both of those experiences, I remember thinking to myself, "I've never really felt like a WOMAN, whatever that's supposed to feel like, but many women do this, and so I guess I'm one of them." And that was the end of that. Since both of these events, many years ago, I've been able to put the question of my "womanliness" on the back burner and instead teach about the history and politics of gender in the United States.
By Sarah Handley-Cousins
I have a confession: I love country music. I grew up in a small town that could have come straight out of a country song, with its one stoplight, large number of cows, and self-described "redneck" residents. Country music was, unsurprisingly, pretty popular. I stopped listening to country for quite awhile after I left home, until a friend took me to a Zac Brown Band concert -- after that, I was hooked. My Pandora stations all had titles like “Today's Country Radio" and “Country Love Songs Radio.” I even bought cowboy boots. One day while singing along to Florida Georgia Line's incredibly popular “Cruise,” I found myself thinking, “Man, I want to be this girl.”
By Lauren MacIvor Thompson
If you haven't heard of Claire Wyckoff, the San Francisco woman who copywrites by day for a global advertising firm and in her spare time maps runs that look like penises (or other stuff) around town using the NikePlus app, head over to her Tumblr right now. Seriously, right now. We'll wait.